Gerard Egan

An Easy Introduction to Egan’s Skilled Helper Solution Focused Counselling Approach By Patrick JM Nelson Part One What is it? Gerard Egan’s Skilled Helper Model of eclectically based counselling provides a structured and solution focused basis for counsellors, psychotherapists and hypnotherapists. It is a three stage model in which each state consists of specific skills that the therapist uses to help the client move forwards. By mastering the process of using these basic skills in an appropriate manner (often in a cyclical process of stage 1 – 2 – 3 evaluate 1 – 2 – 3 evaluate) the talking therapist may be able to increase their efficiency and structure their work in a more logical way, thus helping clients in a more consistent manner and being less reliant upon their fluctuating ‘therapeutic inspiration’. Theoretical Origins Theoretically the Skilled Helper approach draws on Carkuff's theory of high-level functioning helpers (which explains that helpers with the skills of empathy, respect, concreteness, congruence, self-disclosure, confrontation and immediacy are most effective); Strong's Social influence theory (which explains that helping is a process whereby clients are influenced by others because they perceive therapists as having particular attributes and with this influence being most powerful when the the therapist avoids both laxity and coercion and is instead collaborative, empowering and democratic) and Albert Bandura's Learning theory (in which clients are seen as acquiring skills through coming to understand the processes of learning and developing appropriate self-efficacy expectations – expecting to achieve their goals by learning useful behaviours). Essential Therapeutic Orientations The Egan Skilled Helper approach encourages clients to become active interprete rs of the world, giving meanings to actions, events and situations, facing and overcoming challenges, exploring problem issues, seeking new opportunities and establishing goals. Quite simply, success usually comes when human beings become active in initiating positive behaviours and developing problem-solving strategies. The Skilled Helper aims to help their clients develop the skills and the knowledge necessary to solve both their current problems issues and ones that may arise in the future. To facilitate client development the helper builds a healthy therapeutic alliance with the client based on collaboration, warmth and acceptance. The Skilled Helper facilitates the client by helping them to formulate a plan of action, helping them accept their responsibility for becoming a more effective person and helping them to develop their own inner resources. The Skilled Helper also helps their client to transfer newly acquired skills and knowledge to fresh situations, facilitates them in establishing appropriate and realistic goals (that match their problem-solving skills), encourages them to become selfdirective and develop the skills of problem-solving, helps them to build on their inner strengths and to utilize external resources and support groups, helps them realize their potential and facilitates them in developing goals which are specific, measurable, achievable, realistic, ethical and reasonable. Furthermore the Skilled Helper remains in a state of external sensory awareness and retains an awareness of their client's non-verbal communications. Effective Listening – SOLER Effective listening is key to being a Skilled Helper. It consists of various skills, which Egan covers with the acronym : S. If it suits them, face the client Squarely (some prefer up to 45 degrees etc) O. Maintain an Open Posture with the client. L. Lean towards the client (as appropriate). E. Maintain appropriate Eye Contact with the client. R. Be a Relaxed helper as by doing so you greatly improve the quality and comfort of the sessions. Active Listening & Empathy Active Listening is a key skill for the Skilled Helper. It consists in concentrating on the client's non-verbal and verbal communications and relating them to the client's story (non-verbal communication includes body language, expressions, reactions etc). Verbal communication articulates the client's experiences, behaviours and feelings. The Skilled Helper encourages the client to stick to the point (what is relevant), they are non-judgemental and they are Empathic rather than sympathetic. Appropriate Empathy is a state of human interaction in which the helper enters and understands the client's perspective, whilst getting in touch with their thoughts and feelings, however, in this the helper remains rational in their understanding of the client's situation and reality. Unlike in some counselling approaches, although the Skilled Helper communicates Empathy to the client as the basis of counselling, when appropriate they may also use challenging skills with the client when particular and clearly harmful irrational statements or destructive patterns etc keep resurfacing, however any challenging must be congruent with the maintenance of therapeutic Rapport and Empathy because Empathy and Rapport provide the client with the warmth, comfort and safety needed to facilitate effective positive change. Exploring Skills (Egan Stage I Introduction) Exploring the client's Existing Situation The stage one skills of the Egan Helping Model are based upon the exploration of the client’s situation and they basically correlate with the Rogerian counselling skills of the Person Centered Approach. The purpose of Stage I is to build a nonthreatening counselling relationship and help the client explore their situation and then focus on chosen issues. In this stage the Skilled Helper helps the client to identify and clarify problems and opportunities and assess their resources. Clients are often reluctant or resistant at this stage, therefore the therapist helps them to explore new perspectives, challenges negative modes of thinking and constructively challenges the client's excuses, evasiveness, distortions and negative self-statements. This stage is based around helping the client in establishing priorities and developing action plans that put into practice productive strategies. Stage I exploring skills include: Open-ended questions Silence Focusing Empathy Paraphrasing & Reflecting Meaning Paraphrasing & Reflecting Feeling Structuring Summarising Understanding Skills (Egan Stage II Introduction) Helping the Client Establish Aims and Goals The purpose of Stage II is to help facilitate the client in developing a more in-depth and objective understanding of their situation. This stage is enacted as the Skilled Helper assists the client in exploring options and possible goals. The Skilled Helper establishes what the client really wants and needs and the client is encouraged to consider new possibilities and perspectives, choosing ones that are realistic, consistent with their values and for which there are adequate incentives. The Skilled Helper facilitates the client in developing rational decision-making based upon healthy data collection, analysis and action planning. In this state brain-storming, divergent thinking, a balance-sheet approach and force-field analysis may be used with the client in order to facilitate choices between different ways of dealing with situations and achieving goals. These techniques help the client to explore various options and strategies as well understand and work around blocking factors with facilitating factors. Stage II understanding skills include: Recognising Patterns & Themes Alternate Frames of Reference Self-disclosure Immediacy Challenging Timing & Pacing Advanced empathy Acting Skills (Egan Stage III Introduction) Help the Client to Develop Strategies Stage III skills are assist clients to take appropriate action by defining goals, changing ways of relating and working through issues using problem solving or decision making methods, while providing support and encouragement. Stage III skills help the client to cope with current problems and assist in the learning of new skills that will enable them to live more effectively in the future. Action is based on exploration and understanding gained by using stage I & II skills. In stage III the Skilled Helper facilitates the client in finding ways of achieving their goals. After helping the client to come up with as many strategies as they can the Skilled Helper then helps them to focus upon those that are viable in terms of client situati on, needs, aspiration and resources. This process is designed to help the client move from the current situation to one that they would prefer. Transition experiences may make the client feel vulnerable therefore the process may often be built upon the taking of small comfortable steps as the client grows in confidence (but this must be based upon the needs of the client – some like big jumps). Realistic achievable planning and time-tabling are key to success and the Skilled Helper is warm and supportive – helping the client look out and overcome obstacles, turning challenges into opportunities and inspiring the client to mobilise their personal, social and material resources (particularly helpful family members, friends and self-help networks etc). Stage III action skills include: Divergent Thinking Goal Setting Decision Making Problem Solving Programme Choice Evaluate Knowledge of Resources Using Knowledge of How Behaviour is Changed Using Knowledge of How Useful Behaviour is Maintained Teaching skills & Promoting Learning skills Evaluation In addition to Explore, Understand & Act skills evaluation of the therapy process is also important. It can take place at the end of each session as a summarization, whenever appropriate. It helps the client understand what ground they have gone over, helps them perceive progress they have made and inspires them with understanding on how they want to move forwards. To learn about this approach in detail see Part II, III & 4 of An Easy Introduction to the Egan’s Skilled Helper Solution Focused Counselling Approach by Patrick JM Nelson. Gerard Egan’s ‘The Skilled Helper’ is available from the FETT Bookshop Article Copyright Patrick JM Nelson 2007

Sailing to Byzantium Essays

Sailing to Byzantium Essays Sailing to Byzantium Paper Sailing to Byzantium Paper Poetry means many things to people all over the world. Poetry is an outlet or artistic and creative way of telling a story or expressing your emotions. It is something that does not require a lot of skill, but imagination and feeling. â€Å"Sailing to Byzantium† written by William Butler Yeats is a poem that speaks of the craving for something one cannot have and the immortality of people, art and intellect, and greatness. â€Å"Sailing to Byzantium† is a poem based on the theme longing for something one cannot have. In this case the old man in the poem is yearning to be young and live on forever even when his time is up. To escape death and old age the man sails to Byzantium. Byzantium is the opposite of the old man. â€Å"The young in one another’s arms, birds in the trees† and â€Å"The salmon falls, the mackerel crowded seas† are lines from the poem that illustrate the youth and vibrance of Byzantium, the youth and viberance the old man desires. Throughout the poem there are lines that hint about the immortality of people and life. One can continue to live on forever spiritually or by being remembered for having a great achievement or a great impact. In the second stanza Yeats writes, â€Å"An aged man is but a paltry thing. Upon this realisation, he decides to travel to the holy city of Byzantium. Byzantium (which was renamed Constantinople, then Istanbul) was a city in the Eastern Roman Empire. The journey to Byzantium is not a literal one, but a metaphorical one which represents the acceptance of mortality, artistic splendour and a way of immortalising oneself through art. Art is an artificial creation, and is something which can stand the test of time and will remain beautiful from the moment it is first created. The use of symbolism and themes are very prevalent in conveying this message of mortality, which leads me to my guiding questions: How does Yeats use language to distinguish the difference between mortality and immortality for the reader? and How does Yeats use symbolism to convey the theme of immortality versus the transience of life? The first stanza presents an image of life to the reader; the birds in the trees, the fish filled waters, the young people who are preoccupied with their lives and loves. But in amongst the description of life Yeats refers to them as those dying generations. This is a reminder that life is inevitably followed by death, and that we are all moving closer to our deaths, or dying. It is a reminder that everything that lives is doomed. Whatever is begotten, born and dies /Caught in that sensual music all neglect /Monuments of unaging intellect. This is a crude summary of the aspects of life that everyone shares (conception, birth and death) and how all living things get caught up with the sensual music, and neglect the monuments of unaging intellect. The final line has a double meaning. The monuments of unaging intellect represents the elderly and how their minds and intelligence do not age with their bodies, but it also represents the artworks and paintings which Yeats destination, Byzantium, is so famous for. The people in paintings, sculptures and other forms of art are undying, and remain the same as they were the day they were first created for eternity. Yeats is condemning the natural as all things natural are doomed to die, and praising the artificial things as they can stand the test of times. This is paradoxical however, because without the natural, the artificial wouldnt exist. In the second stanza, Yeats likens and aged man to a scarecrow: An aged man is but a paltry thing,/A tattered coat upon a stick. This is a symbol of the elderly. Scarecrows are devices which were created to do just as their name describes to scare crows, but in the poem they represent a device which is to scare the youth. Many people fear death, and as the elderly remind the youth of their own mortality, in looking at the aged, they have a sense of fear as they are seeing what they will become. However, this is followed by unless/Soul clap its hands and sing, louder sing/for every tatter in its mortal dress. By using a personification of soul, Yeats reminds the reader that the soul is what separates each life from the next, and that for every problem it comes by, it becomes stronger. In saying this, Yeats is focusing on the fact that it is possible to avoid becoming an empty, lifeless shell, like the scarecrow, by concentrating on the soul, and therefore overcoming the constrictions of the human body. Since the journey to metaphorical one, Yeats is saying that the only way that the journey to Byzantium is possible is to learn to escape from the constraints of the body. Byzantium represents a desired destination, and in Yeats case, it is a symbol of permanence and intransience through art. During a trip to Ravenna, Yeats saw a painting which portrayed martyrs being burnt because of their faith. In the third stanza, in the line O sages standing in Gods holy fire/As in the gold mosaic of a wall, Yeats has incorporated his interpretation of this painting into the poem. He sees the martyrs as sages and the flames as the Holy Spirit. This is represents the transition between life as a mortal and life as an immortal, as at the time of their deaths the sages gained an immortal existence through being incorporated into art. The mosaic is described as gold, as this colour represents an untarnished and everlasting beauty. Come from the holy fire, perne in a gyre,/And be the singing-masters of my soul. Here, Yeats is referring to a spinning wheel, and the quick movement of thread through a bobbin and spool. This image of each strand of thread being merged into one constant piece symbolises how human life spawns other lives another and how each life links up with another creating a continuous flow of life. Yeats is asking the sages in the mosaic to free him from his body, which he describes as a dying animal, and guide him to Byzantium so that he too can join the artifice of eternity. The sages in the mosaic have seen many generations of people, without ageing themselves. The fourth and final stanza commences with Yeats pronouncing that once he has escaped him human form, he will never again take the form from anything natural, as from his description in the first stanza, these things are all prone to decay and death. He then proceeds to say that he would wish to take the form of a golden bird like the ones the Grecian goldsmiths used to make. He wishes to make the final transition from the transience of human life, and immortalise himself through an ancient form of art. The final line of the poem Of what is past, or passing, or to come is a reflection of the line Whatever is begotten, born and dies found in the first stanza. Yeats categorises time into past, present and future, which is a suggestion that even after escaping his human body, his mind would still be limited to what he can perceive as a human being. The idea of eternity is a concept almost impossible for a human mind to grasp, so we classify time into past, present and future. In answer to my first guiding question, there is a notable difference in the language Yeats uses depending on whether he the idea of mortality or immortality is being conveyed. For example, in the first stanza when the old country is being described, the words are limited to one or two syllables, and the language is rough and has a staccato style rhythm: The salmon-falls, the mackerel-crowded seas,/Fish, flesh, or fowl, commend all summer long. The quick, often monosyllabic words help to enforce the idea that these things will eventually die, and the f and sh sounds are repeated, creating an alliteration which gives a sharper sound to the line. Yeats uses long, more flowing words in line 7, Caught in that sensual music all neglect, as if to admit that he, too, become preoccupied with this aspect of human life. In the final line of the first stanza, the reader is first introduced to the idea of an everlasting existence: Monuments of unageing intellect. This line rolls over the tongue, and is a contrast from line 5 which describes things that will die. It also displays a use of alliteration, as the letter n is echoed throughout the line. More examples language being used to emphasize the difference between transience and an endless existence can be found in the other stanzas: A tattered coat upon a stick and Monuments of its own magnificence: Consume my heart away; sick with desire/And fastened to a dying animal against Into the artifice of eternity. The lines which are referring to immortality have a much more soothing tone, whereas the lines which are referring to mortality are more staccato-like and harsher sounding. In answer to my second guiding question, Yeats use of symbolism is essential in his portrayal of immortality in opposition to mortality. The symbolism begins in the poems title, Sailing to Byzantium. Sailing symbolises a metaphorical journey, and Byzantium symbolises a desired destination, in this case, the desire to become immortal through art. In the first stanza, the images of the young lovers, fish and birds symbolise mortality and eventual death. By highlighting this component of the world he lives in, it makes it easier for the reader to understand his need for permanence. In the second stanza, the scarecrow signifies the elderly. The image of a solitary scarecrow in a field is seen often through literature and film, and in this case the scarecrow represents the neglected generation. The scarecrow is described as paltry (which means contemptible), and this symbolises how the younger generations have contempt for the older generations because they are a reminder of their own mortality. The scarecrow also represents everything that Yeats wishes to leave behind in departing his mortal existence. Finally, the image of the golden bird symbolises the flight Yeats has taken from his previous body, and the permanence he has found through art. The colour gold his also used several times throughout the poem, and this indicates everlasting beauty. Yeats uses images representing young life through to old life to demonstrate the transience of human life, but uses the constant image of the golden mosaics and the golden bird to show how art has a never-ending beauty. In conclusion, I think the main idea W. B. Yeats was trying to convey in writing this poem was that the artificial is superior to the natural, and that while all things natural are doomed to die, the artificial can exist forever. The way Yeats uses imagery helps to convey the idea that the artificial is an everlasting creation, and whereas the natural, while is beautiful at one time, eventually withers and dies. The fact that the author believes the artificial is superior to the natural becomes apparent in difference in language Yeats uses, depending on which of them he is talking about. The abrupt phrases and monosyllabic words Yeats uses to talk about the natural connote that the lives of these things, like the words, are quickly over. However, the more descriptive and flowing language used to describe things which are man-made, such as art, tells the reader that these things are longer lasting and more beautiful. I think that the way in which Yeats tells the poem complements the message he is conveying and causes the reader to contemplate their own existence.

How to Say Weekend in French

How to Say Weekend in French The expression weekend is definitely an English word. We borrowed it in French, and use it a lot in France. Le Week-end, Le Weekend, La Fin de Semaine In France, two spellings are acceptable: â€Å"le week-end† or â€Å"le weekend†. A lot of books will tell you the French word for it is â€Å"la fin de semaine†. I’ve never heard it used around me, nor have I used it myself. It may be the French official word for â€Å"weekend†, but in France, it’s not very used at all. - Qu’est-ce que tu vas faire ce weekend? What are you going to do this weekend?-  Ce weekend, je vais chez des amis en Bretagne. This weekend, I’m visiting some friends in Brittany. What Days Are the Weekend in France? In France, the weekend usually refers to Saturday (samedi) and Sunday (dimanche) being off. But it’s not always the case. For example, high school students often have classes on Saturday morning. So, their weekend is shorter: Saturday afternoon and Sunday. Many shops and businesses (such as banks) are open on Saturday, closed on Sunday, and they often are closed on Monday to keep a two-day weekend. This is not so much the case in bigger cities or with shops with employees that can take turn, but it’s very common in smaller towns and villages.   Traditionally almost everything was closed on Sunday. This French law was to protect the French lifestyle and the traditional Sunday lunch with family. But things are changing, and more and more businesses are open on Sundays nowadays.   Les Dparts en Weekend On Friday after work, French people migrate. They take their car, and leave the city to go to... a friends house, a romantic getaway, but quite often also their countryside house: la maison de campagne, which maybe in the countryside, by sea, or in the mountain, but the expression refers to a weekend / vacation house outside of the city. They come back on Sunday, usually late afternoon. So, you can expect big(ger) traffic jams on these days and times. Ouvert tous les jours = Open every day... or not! Be very careful when you see that sign†¦ For the French, it means open every day†¦ of the working week! And the shop will still be closed on Sundays. There will usually be a sign with the actual opening hours and days, so always check it. Quels sont vos jours et horaires douverture ?What days and at what time are you open? Faire le Pont = To have a four day weekend Learn more details about this very French expression and concept.

Concert Review Assignment Example | Topics and Well Written Essays - 1000 words

Concert Review - Assignment Example The melody of the recital can be described by a short but fast shifting motive. The composer uses about four notes that the shift rapidly from one set to another. At the introduction and throughout the piece the energy and vigor depicted in the melody gives the recital a jovial or celebratory atmosphere and mood. The vigor and strength that is depicted in the piece can be likened to the mood of a carnival or an active musical dance. The harmony of the recital is also varied between an interval and a chord. In the introduction of the piece, the general harmony is an interval sounding at most two notes at a time. In the later stages of the piece, it shifts to a chord but turns back the harmony back to the interval. At the intervals, there is an underlying melody that supports the harmony. In the subsequent groups of chords, the melody is not very clear, and the progression is achieved in the recital. The variation between the interval and chords in the piece creates musical motion in t he presentation. Musically it is expected that where the interval is supported by an underlying melody and thee audience perceives a level of stability, the harmony is referred to as consonance. However, in the case of a turbulent and unstable set of chords, the harmony is referred to as a dissonance. The texture of this presentation can be described as both thick and thin. First, the texture can be described as monophonic. The description of the texture is because the presentation is a solo recital that is not accompanied by any vocals.

The Smartest Kids in the World; Amanda Ripley Essay

The Smartest Kids in the World; Amanda Ripley - Essay Example The Trends in International Mathematics and Science Study (TIMS) is another education policy that mainly focuses on less work problems and more on the subject specific knowledge and the skills that the school teaches the student during the learning process. Trends in International Mathematics and Science Study is a policy that does not concern whether the student can be able to apply their scientific and mathematical knowledge in the real life situation while Program on International Student Assessment has no concern in either measuring the student’s skill needed to succeed in their college education nor to engage in technical professions. Therefore, schools use both policies in their education system as they complement each other and will improve the educational outcome in schools (Ripley, 2013). According to Ripley (2013) Korea, Finland and Poland employ PISE as the education policy in their schools and this kind of system is seen as the reason behind their production of some of the best students in the world. This system brings out the argument that, tracking students, that is placing the kids in gifted classes at an early age so that they can be able to know what exactly their career holds for them, tends to diminish the learning process in schools boosting inequality to places where it was implemented. It is said when this kind of education system is applied, the students who were in the higher performing classes began to think of themselves as less gifted hence lowering their self esteem while surprisingly those in the lower performing classes in this kind of education policy developed a positive mentality about themselves in turn building on their self esteem.

Data Center Design Research Paper Example | Topics and Well Written Essays - 2000 words

Data Center Design - Research Paper Example Before designing the air cooled system, the amount of heat produced must be quantified. This is either in calories, joules, Tons or BTU. To determine the heat output of the system, the total quantity of heat produced by the hardware and their components when fully functional must be quantified. This hardware components include the Uninterruptable Power Supplies (UPS), the Information Technology Equipment, lighting and people working in the data center building. As it had been stated earlier, some of the hardware equipment to be used in the data center are NetApp 2050, HP C7000 Blade enclosure, and KVM. Each of this equipment has different minimum ventilation requirements. To install HP C7000 Blade enclosure, there are several minimum requirements. For good efficiency of HP C7000 Blade enclosure, there are different rack requirements. According to HP C7000 Blade enclosure documentation (Hewlett-Packard Development Company, 2010), HP C7000 Blade enclosure is optimized to work with 1000 0 series racks. Thus to facilitate adequate airflow and to allow for servicing, the spatial requirements below are considered. †¢Ã‚  A clearance of approximately 0.635 meters is left at the front part of the rack†¢Ã‚  At the back, a clearance of 0.762 meters is left to facilitate †¢Ã‚  In case of multiple racks, approximately 1.219 meters is left between the back of one rack and the rear of the adjacent racks. The design of HP C7000 Blade enclosure is in such a way that cool air is drawn into the system from the front part to cool the system.... Room ventilation The data center is composed of servers, routers, switches, among other hardware. All this are electronic devices which produces heat. This heat if not well eliminated, can destroy the electronic components in the hardware contained in the data center. Air – cooled systems are mostly used in data centers since most of the equipment are air – cooled. In this project, considering the number of hardware used and the software run on the systems, an air cooled system will be efficient. Before designing the air cooled system, the amount of heat produced must be quantified. This is either in calories, joules, Tons or BTU. To determine the heat output of the system, the total quantity of heat produced by the hardware and their components when fully functional must be quantified. This hardware components include the Uninterruptable Power Supplies (UPS), the Information Technology Equipment, lighting and people working in the data center building. As it had been s tated earlier, some of the hardware equipment to be used in the data center are NetApp 2050, HP C7000 Blade enclosure, and KVM. Each of this equipment has different minimum ventilation requirements. To install HP C7000 Blade enclosure, there are several minimum requirements. For good efficiency of HP C7000 Blade enclosure, there are different rack requirements. According to HP C7000 Blade enclosure documentation (Hewlett-Packard Development Company, 2010), HP C7000 Blade enclosure is optimized to work with 10000 series racks. Thus to facilitate adequate airflow and to allow for servicing, the spatial requirements below are considered. A clearance of approximately 0.635 meters is left at the front part of the rack At the back, a clearance of 0.762 meters is left to facilitate

African American Religion Essay Example for Free

African American Religion Essay Before Africans were brought to America during the slave trade, they had their own culture and society. They had their own language and dance. They also had their own religion. History tells us that the Europeans justified their abuse toward the Africans as helping them become more civilized because the Africans lifestyle appeared primal to them and not as developed and industrialized as theirs. What is often overlooked is that even though Africans were taken from Africa and Americanized and have been stripped of their religion, culture, language and even their name, the very essence of the African as a people did not go away. Some African American slaves rejected Christianity’s religion because they saw it as the â€Å"white man’s religion†. History tells us American Slave Masters abused the Africans by whipping them like animals and by treating them inhumane. The fact that these slave masters wanted the African American to worship their god was unacceptable for some because they could not fathom why they should worship a god who allowed people to be so badly treated. Some Africans accepted Christianity’s religion and faith by identifying with Jesus Christ, the son of God who according to the Bible was innocent of sin and yet he was beaten, bruised and crucified for the sins of the world. Some African Americans wanted to remain faithful to their heritage yet did not agree with the conjure practices. Seth Holly’s character is a good example of conforming to the economic prosperity of America which was founded by Christians. White Christians enforced Christian beliefs, values, and some practices based on the Euro American Christian interpretation of Christian text. Seth developed a kind of hatred for his own people proving that he has adopted the practices of white America in the early 1900s. â€Å"Niggers coming up here from that old backwoods†¦ coming up here from the country carrying Bibles and guitars looking for freedom. † Seth says. â€Å"They got a rude awakening† (6). Seth signifies the African American who resents assimilation to the white American culture. But, at the same time, he too attempts to connect with his heritage by simply allowing Bynum to live in his home and bless it with his conjures rituals. Seth also participates in an African dance ritual called the Juba. Bynum’s character is introduced by practicing conjure rituals. He cuts open pigeons and spreads its blood onto him as a type of cleansing to communicate with spirits. Bynum represents the African American who chose to remain faithful to the religion of his heritage. Others who have chosen the faith of Christianity view conjure rituals as evil, witchcraft, or demonic. Some African Americans wanted to remain faithful to their heritage yet did not agree with conjure practices anymore. Loomis walks in on the juba dance and goes into a trance after dinner at the boarding house. He had a vision of skeletons emerge from a body of water. â€Å"Loomis: I done seen bones rise up out the water. Rise up and walk across the water. Bones walking on top of the water† (53). Loomis recognizes through the vision, his state of ignorance to the knowledge that will lead him to the new way of thinking. Bynum serves as a supporting character reacting to Loomis’s trance. â€Å"Bynum: They walking around here now. Mens. Just like you and me. Come right up out the water† (56). Loomis’s trance and Bynum’s interpretation of it is a turning point in the story. The skeletons coming from the bottom of the sea in Loomis’s vision represent the slave ships, the disorientation experienced by the slaves during emancipation, and the confusion of his release from Joe Turner. Both Loomis and Bynum have tapped into their ancestral religion. The difference between the two is that Bynum represents the African who never renounced his religion and Loomis is the African-American who turned from conjure religion and converted to the faith of Christianity. After Joe turner took his life away from him, Loomis questioned his Christian faith and his identity. By walking in on the ancestral ritual of the Juba dance, Loomis literally walked into what he had actually been looking for, his religion, consequently, his ancestral identity and this is why he fell into the trance. Throughout the play conjures is encompasses four generations; Bynum’s father, Bynum, Loomis, and the neighbor boy Reuben. Reuben’s vision is of Seth’s mother by the pigeon coop, she encourages Reuben to release the caged pigeons. Wilson writes in a way that leads the reader to believe that Loomis needs to find his missing wife. Martha Pentecost is not the one who was lost; Loomis was the one who was lost, wondering around from town to town, searching. Loomis came into the state of belief when Bynum helped him translate his vision. That vision represented Loomis going back to his ancestral conjure religion. Loomis needed to find Martha Pentecost simply to say good-bye to her and their life former together. Up until this point of the story, I believed that Loomis needed to find his wife so they could live out the rest of their lives as a happy free family with their daughter. However, it is made pretty obvious this was never Loomis’s intentions. â€Å"That goodbye kept me out on the road searching,† Loomis says, â€Å"now that I see your face I can say my goodbye and make my own world† (90). Martha Pentecost, a woman of Christian faith, represents the African who assimilated into white America’s culture and Loomis needed to find her to say good-bye to her and the Christian faith. Martha stands by her Christian faith by accusing Loomis â€Å"you done gone over to the devil† (91). White man’s religion believed that conjure was evil or the way of the devil. Loomis finds it easier to reject her for her Christian beliefs. â€Å"Loomis: Great big old white man†¦your Mr. Jesus Christ. Standing there with a whip in one hand and a tote board in another, them niggers swimming in a sea of cotton† (92). Loomis proves with his statement, his version of a bible story that differed from other African Americans but was similar to that of the white man who believed that they were on a level below God and the African’s were beneath them, African’s were one third of a person. Loomis now believes that if African’s are going to be free then they have to take charge of their own destiny. Martha Pentecost represents the African American’s religion, she identifies that Loomis needs to â€Å"be washed in the blood of the lamb† (92) and â€Å"you done gone over to the devil. (91) Through class lessons I learned that African American slaves compared themselves with stories in the bible to instill hope of a life free from oppression, violence, and bondage. Jesus according to the bible was innocent of sin and yet he was beaten, bruised and crucified for the sins of the world. The hope of reigning in heave with Jesus is considered the ultimate reward for suffering life’s trials and tribulations. It is the faith of the African Americans who accepted Christianity religion. Blacks trusted in the Lord instead of man. America was Egypt in the exodus story and as long as the enslaving and oppressing took place America would face the same wrath as Egypt. â€Å"Stand still and see the salvation of the Lord. † The bible was depended on in justifying and motivation rebellion for the blacks and used as a tool to keep blacks enslaved by the whites. African Americans used sermons, song, and prayer to convey and teach their message of travail and triumph of Israel. Some African Americans could not get past the treatment from the white people that called themselves Christians and as a result they rejected Christianity. Selig’s role suggests that the link between characters is the acquisition of material goods. Selig admits that his ancestors have always made their living pursuing African Americas; his great grandfather transported slaves from Africa, his father captured runaway slaves and returned them to their masters for a reward, and Selig locates displaced people for a fee. Selig attains his ecstasy through consumer capitalism, through the selling of material goods. African Americans are objects for exploitation and exchange in the new economy. He binds African Americans to the economic system, demanding payment of his services and products which necessitates subsistence labor by taking them from one construction site or work site to another, similar to a temporary employment agency today. You pay for an employee to work for some time, but Selig is getting paid by the person looking for work or a ride to a chance of freedom. Selig cannot find a person that has not purchased a dustpan from him because he keeps the names of his customers. Seth is determined to achieve material success, he has very little patience for African Americans migrating north looking for the same prosperity that he desires. Seth is very demanding of his patrons, insisting on advance payment in full, and is preoccupied with maintaining a respectable house. â€Å"It’s hard enough now without all that ignorant kind of acting. Ever since slavery got over with there ain’t been nothing but foolish-acting niggers. Word get out they need men to work in the mill and put in these roads†¦ and niggers drop everything and head north looking for freedom. †(5, 6) Seth wants to blend in with the white man’s world; therefore he keeps a link with Selig by negotiating the manufacturing and sale of dustpans. Seth does not have any idea of what it would be like to be a slave, as he was born free in the North and was educated. He demonstrates his education with his math calculation when dealing with the boarding house patrons and the quick notation of him letting Selig know that he is trying to overcharge him for the dust pan materials. Educational differences played a role in tension with Southern blacks, most of who were forbidden from learning to read, saw religion as a matter of oral tradition and immediate experience and emotion. Northerner blacks, stressed that one could not truly be Christian unless they was able to read the Bible and understand it. This play denies individual worth and identity for some of Wilson’s characters. To be defrauded of the products of one’s labor or to see that creation diminished, like with Jeremy and the guitar contest, is to be denied a reflection of individual worth and identity. If people have been separated from this truth of individual worth and identity through oppression their capacity to bond with one another, form friendships, or couples, families are undermined. Social alienation in Wilson’s characters are expressed in their stores of broken relationships, uncertainty, or suspicion that they feel toward one another. â€Å"Seth: Something ain’t setting right with that fellow, Bynum. He’s one of them mean-looking niggers look like he done killed somebody gambling over a quarter. †(20) Connection between oppression, alienation from self and inability to form bonds with others is displayed in the character of Loomis. Joe Turner’s ability to oppress Loomis carried a judgment of non-worth. â€Å"Loomis: He told me I was worthless. Worthless is something you throw away. Something you don’t bother with† (73) Turners judgment of worthlessness forced Loomis to accept the reality of the white man’s power; he was marked as â€Å"one of Joe Turners niggers and forced to forget his song. †(71) Being alienated from himself and displaced with his relation to the world, Loomis is unable to establish bonds with people around him. The oppression encountered by Wilson’s characters is material or economic, that oppression is spiritual as well in the capacity to deprive the individual of a sense of himself or his unique song. The reawakening of Loomis after his encounter with cultural wisdom is not the self discovery of an average African American but creation of a new source of cultural wisdom, a new African holy man. Wilson uses many metaphors throughout the play. The song is a metaphor for Loomis’s identity and the African American cultural identity. Music is a large part of African American identity, so it makes since that in search of one’s identity they are searching for their song. The boarding house serves as an inn for traveling folk, but the tenants actually receive a form of healing during their stay. Tenants get direction and guidance from Bertha and Bynum. The shiny man that Bynum is in search for signifies African American independence. The man that Bynum met on the road was an independent African American, just as Loomis was freed by his past when he cleansed himself in his own blood. â€Å"Bynum: Herald Loomis, you shining! You shining like new money! †(94) Loomis has dismissed that the blood of Christ can wash away his sins and make him the man he used to be, but by washing himself in his own blood he has sacrificed the old life to begin his new journey on his terms. Bynum’s shining man has been found, meaning his work is complete; he has passed his powers on to the next generation, Loomis. â€Å"They tell me Joe Turner’s come and Gone† is a song that is sung by Bynum, when I first read the story I thought that the meaning was came and now he is dead however, the second time I read the play I realized that it meant that Joe Turner has come and snatched the men and now he is now gone. August Wilson uses symbolism in the play as a very important part in conveying the meaning of the story. Wilsons use of symbolism is demonstrated through Mr. Wilsons use of the road, Martha Pentecost, and Herald Loomis. Symbolic importance is give to the word freedom. The word freedom has instilled hope into the lives of African Americans: during slavery, hope for the release from bondage; after emancipation, the right to be educated, employed, and to move about freely; twentieth century, social, political, and economic justice. Freedom has always stood for the absence of any restraint, because God made all men from his image. There are a number of characters that travel around searching for their place in the world. Mattie, mentions that she keeps on looking, seems like she just keeps starting over, I ain’t never found no place for me to fit. † (76) Reuben tells Zonia, when he finds out that she is leaving the boarding house in search of her mom, â€Å"when I get grown, I come looking for you. †(84) Jeremy does not seem to care much when he loses his job because, â€Å"don’t make me no difference. There’s a big road out there, I can always get my guitar and find me a place to stay. I ain’t planning on staying in one place for too long noway. † (64) Martha Reverend Tolliver moved the Church up north because of the trouble the church was having. When the Civil War finally brought freedom to previously enslaved African Americans, the task of organizing religious communities was only one element of the larger need to create new lives, to reunite families, to find jobs, and to figure out what it would mean to live in the United States as citizens rather than property. August Wilson’s play, Joe Turner’s come and Gone, examines African Americans search for their cultural identity following slavery. Bibliography Murphy, L. G. (2000). Down By the Riverside. New York: New Yourk University Press. Wilson, A. (1988). Joe Turner Come and Gone. New York: Penguin Group.